LCW-C

Hello students and parents! I hope you find this page easy to manage. Instead of adding more emails to your inbox, I will update this page each week as we go along in the school year so we can stay in communication throughout the week. I’ll post assignments, notes from class, and links that you might find helpful.

If you need to contact me at any time, please email me.

Click here to download and print the Fall 2018 Syllabus.

Information about the class on November 8 and homework due for November 15 was emailed. If you have any questions, let me know.

November 1

We reviewed Part Two of Black Beauty, which gives readers a glimpse into troubling times Beauty experienced at his third, fourth, and fifth home. Due to inexperienced owners and grooms, in addition to the stress and strain on Beauty’s body from a high-society woman’s demands, the horse had to deal with injury, illness and pain. These scenes spoke to the consequences of ignorance when it comes to the health and wellness of an animal. Not knowing how to care for a horse isn’t an excuse, although Beauty consistently tries to find the good in his owners and grooms. 

Then we dug into how the setting in a story is more than just time and place. Yes, a setting includes referential details to everything from era, historical context, and region, to whether the story occurs during daylight hours or at midnight. There are other elements to consider, such as weather and temperature, political and social climate, available technology, and whether or not the story happens on Earth or even in our universe. The setting also includes minute details, such as the furniture, the house, the wallpaper, whether or not the room has a houseplant, etc. This isn’t to say creative writing is about labeling all the parts of a scene. Not at all! The challenge, though, is to build a scene with enough peripheral details so the reader understands the space in which a story is unfolding. 

I mentioned all of these things because some students cut right to the dialogue in their writing prompts and either forget to include information about the setting or they don’t consider those details important. Even though we’re taking a short break from writing prompts to work on the literary essay, I hope this lesson will be remembered in the spring. (I’m sure we’ll talk about it again.) 

Now, onto the literary essay. A few students have written academic papers before, so this process is a little less scary for them. However, for some students, this is their first go-around on gathering ideas, outlining, and putting all of those thoughts into coherent sentences. Hear me: I am less concerned about MLA format and more concerned about the students’ ideas and ability to analyze literature. You can have every sentence in its perfect place and still say nothing concrete. So, spend more time thinking, re-reading, and considering what to write rather than on how to write.

If you need help this week, please email me, but here a few reminders: 

  • You must include examples from the novels to support your ideas. This means you need to include quotations or paraphrases in body paragraphs. 
  • You must choose one of the essay topics on the list. Do not come in next week with your own interpretation of what this essay should be.
  • The essay is 20% of your semester grade, so please take this seriously. I’ve mentioned this essay at least every other class meeting, if not every class meeting, so this assignment is not a surprise.  

Homework for November 1: 
1. Finish Black Beauty (Parts Three and Four)
2. Draft an outline for the essay question you chose. (Here’s the handout from last week as a refresher.) Refer to the outline example I handed out in class if necessary. A basic essay is five paragraphs – an introduction, three body paragraphs, and a conclusion. However, since the word count minimum is 750 words, you will likely have four or five body paragraphs instead of three. BRING YOUR OUTLINES TO CLASS FOR PEER CRITIQUE.

October 25

We began by reviewing briefly the remaining half of Part One of Black Beauty. There are a few key events that help shape Beauty’s opinions about humans – the praise he received when being cautious about crossing an unsafe bridge, watching a pony being whipped by an abusive ostler, the fire in the inn’s stable, and his falling ill after the young stablehand didn’t properly care for him on a stressful night. Beauty learned that owners can be careful and caring, but they can also be willfully cruel. He learned that danger can come via ignorance – not knowing how to care for a horse can end in the same way as excessive abuse. Even though we’re talking about a horse and not a human, Beauty is experiencing his Coming of Age. We are heavily shaped by our experiences, so the adult horse that Beauty will become is slowly being molded. 

Some students are troubled to read about the poor care some horses receive. I am too! However, I pointed out that this speaks to Anna Sewell’s original goal – to draw people in with empathy for labor animals. This speaks to her verisimilitude

Then we moved on to discuss expectations for the upcoming Literary Essay. Please click here to print and review expectations, as well as to read the topic options

Homework for Nov. 1: 
1. Read Part Two of Black Beauty.
2. Complete the following writing prompt: At a garage sale, your character buys an antique urn which she thinks will look nice decorating her bookshelf. But when she gets home, she realizes there are ashes are in it…

October 18

We started our discussion about Black Beauty with a brief recap of Victorian England, the necessity of horses prior to motor cars, and Anna Sewell’s intent to write a book from a horse’s point of view in an attempt to spotlight animal welfare. No doubt the writing style is older than students are used to, but it’s a straightforward novel plot-wise. The challenge for readers is to connect with the characters and consider whether Sewell’s verisimilitude is on point. 

We also discussed the difference between anthropomorphism and personification

At the expense of sounding like a broken record, I continue to remind students that they’ll start writing a literary essay soon and the topics to choose from will reflect our reading and discussions. Only half of the class takes notes, despite my encouragement to do so. The essay will be 20 percent of their semester grade. I hope it’s taken seriously. We’ll discuss expectations next week.

Homework for Oct. 25: 
1. Read Ch. 12-21 of Black Beauty.
2. Complete the following writing prompt: Nothing good can come from a knock on the door at midnight, but I opened it anyway. Standing on my doorstep was…

October 4

We covered the last few chapters of The Boy in the Striped Pajamas, which does not have a happy ending. As a fable, it’s designed to teach readers a lesson, so there is much to learn about kindness, knowledge, and prejudice from Bruno’s unfortunate experience. Fables help us learn about other cultures and model both good and bad character. 

We also talked about the following literary devices: red herring, deus ex machina, allegory, and anthropomorphism 

I briefly introduced Black Beauty, which students will start reading over fall break. There will be no writing prompt or vocabulary this time.

Homework for October 18: Read Ch. 1-11 in Black Beauty in preparation for a quiz. 

September 27

Today we discussed Chapters 8-14 in The Boy in the Striped Pajamas. The story continues to be frustrating since our main character, Bruno, is an unreliable narrator and oblivious to what’s going on in his own backyard (literally). We finally reached the chapter where Bruno and Shmuel meet one another and begin a secret friendship through the fence of the concentration camp. In a dozen different ways, the author shows juxtaposition between these two characters. Though they were born on the same day, they couldn’t be more different from one another. 

We also had two chapters of backstory regarding Bruno’s grandparents and the day Adolph Hitler came to Bruno’s house for dinner. Though, being young and naive, Bruno was none the wiser of what that important dinner would mean for his family.

We went on to talk about how to add conflict to their stories. Conflict is essential, as it moves the protagonist forward on his/her journey and keeps the reader engaged. Conflict is momentum! If a story lacks conflict, it is stagnant and dull.

Ways to add conflict include 1) writing lively dialogue, 2) creating tension through dramatic elements, 3) elevating language with modifiers and syntax, 4) building emotional conflict between two characters or internal turmoil within the main character, and 5) using humor, shock, or disappointment to change the course of the story or create a shift in perception.

Homework for October 4:
1. Finish The Boy in the Striped Pajamas.
2. Complete this writing prompt: You wake up Saturday morning and walk into the bathroom. After rubbing your eyes and yawning, you look in the mirror to find a different face looking back at you. Your first thought is who is that? Your second thought is… 

September 20

Today we began with a brief historical overview of the Holocaust, which is a troubling topic from every angle. While I prefer to keep things light and humorous in an afternoon class, it was imperative that students understood the gravity of the subject matter we’re reading about in The Boy in the Striped Pajamas. I briefly explained the timeline of Adolf Hitler’s rise to power, his “Final Solution,” and the gruesome realities discovered in the aftermath of WWII. Our main character, Bruno, is the nine-year-old son of a Commandant in Hitler’s army, and he’s recently relocated to Auschwitz, where he will befriend a young boy inside a concentration camp. It’s a heavy subject matter, but it’s important.  I encourage everyone to read the text with maturity and compassion.

After the history lesson, I briefly recapped the first seven chapters and went on to discuss Stakes and Proportion. Some students took notes, but others didn’t. I recommend clicking on the link above and reading/printing the document. 

Homework: 
1. Read Ch. 8-14 in the book. (No vocabulary
2. Complete the following writing prompt: Your elderly character escapes from the retirement home where his/her children put him/her… 

September 13

We wrapped up The Giver today and filled out Freytag’s Pyramid on the board to ensure students understood what represents the climax and falling action. The Giver is an interesting story because it dutifully makes the reader pause to consider the difference between living with knowledge and living in ignorance. 

Then we talked about adding sensory details to their stories, an area where most students are lacking. Everyone does a fine job writing WHAT HAPPENED, but some struggle to address how it felt, sounded, smelled, or tasted. To fully flesh out a scene, a writer needs to create a world that gives the reader an opportunity to imagine what it’s really like. Whether you’re writing a mystery, adventure, or romance, endeavor to describe scenes with sensory details. 

Homework for September 20:
1. Read Ch. 1-7 of The Boy in the Striped Pajamas.
2. Write a story that involves a babysitter who snoops around the homeowner’s house and discovers a disturbing photograph. This is an excellent opportunity to describe the home, how the babysitter felt snooping around the house, the urgency or anxiety she/he felt upon discovering the photo, and so on. 

September 6

This afternoon we reviewed Chapters 10-14 in The Giver. Jonas has started receiving memories and learning things like what snow is, what color is, and what physical pain is. His eyes have been opened to Otherness, which is in stark contrast to the community’s Sameness. There are moments when he feels exasperated about the lack of choices in life, but The Giver explains that people can make wrong choices, and it is their duty to make sure that option is eliminated. 

We also talked heavily about dialogue, and I handed out some instructions on how to write effective dialogue in stories

Homework for September 13:
1. Define and study vocab – anguish, wisp, posture, dejected, solace
2. Finish The Giver
3. Complete this writing prompt (you are welcome to change the name and context, but the dialogue needs to be in the story): “Don’t touch that!” I shouted at my friend Jesse, as he reached for the…

August 30

Today we reviewed chapters 5-9 of The Giver. Jonas was chosen as Receiver-in-Training, so after 12 years of being assimilated as part of a utopian society, he’s been separated from the collective as different. He has a new set of rules to follow, so his official journey has begun. 

We also discussed three types of irony (verbal, situational, and dramatic) as it pertains to literature, and identified Jonas as an unreliable narrator on account of his ignorance. Perhaps that will change as truths are revealed to him during training!

Parents, a note about the class: Today, some students were extra chatty, to the point that it became a distraction. I love discussion – particularly literary discussion – but if certain students can’t control themselves or have something solid to offer, I’ll put them on the green team. As a teacher, I’ve never done that, but this could be the year that I start. No one benefits if I have to consistently tell students to stop talking out of turn and about topics unrelated to our work. 

Homework for Sept. 6:
1. Define and study vocabulary: conspicuous, torrent, tentative, phenomenon, relinquish. 
2. Read Chapters 10-14 of The Giver
3. Complete a writing prompt in proper format: Three children are sitting on a log near a stream. One of them looks up and says… 

August 23

Today we discussed the first four chapters of The Giver, as well as the difference between Theme and Topic in literature. The author of The Giver explores themes such as Individual vs. Society, Freedom and Choice, Knowledge vs. Ignorance, and the Suppression of Emotion by creating a society where its people have little say in their lives. Their names are selected for them, their families and spouses are decided for them, and their careers are established by the community’s Elders. The goal is to create a utopia, but we, the readers, know this is an impossibility.

We also discussed the differences between flat and round characters, as well as static and dynamic characters. Hopefully students took notes!

Homework for August 30:
1. Define and study vocabulary words: dwelling, interdependence, reprieve, merriment, crescendo
2. Read Chapters 5-9 in The Giver.
3. Complete the writing prompt (typed in proper format, please): He turned the key and went inside the house. To his horror, he saw… 

August 16

So, I may be swapping two of the books on the list for fall. Nearly half of the class has read The Boy in the Striped Pajamas and Wonderstruck, so keep an eye out for changes! I’ll be sure to let everyone know next week what I’ve decided. 

Today we made introductions and got down to business with Freytag’s Pyramid, which is the basic five-point structure of a plot. We also discussed genre (fiction versus non-fiction) and the three primary types of conflict. We’ll discuss these literary elements in greater depth with each story.

I expect each student to take notes in class, particularly since they’ll each write a literary essay later in the semester. I don’t mind open discussion, but I expect each student to listen to one another and be respectful. If they aren’t taking notes, they will struggle with the essay. 

Homework for August 23
1.) Define and study vocabulary words (petulant, nurture, supplementary, transgression, regulate)
2.) Read Chapter 1-4 of The Giver.
3.) In essay form, answer the question, “Who are you?” Aim for 350-500 words and follow the format I laid out in class. (Times New Roman, 12 pt., double-spaced) 

error: Please, no copying.